CIE Division 8 - TC8-03: Survey of Gamut Mapping Papers


Gentile, Walowit & Allebach (1990)

Both clipping and compression techniques are described in this paper and for both kinds the gamut mapping environment is either RGB or CIELUV. In terms of clipping algorithms two possibilities are looked at: clipping to the closest colour in terms of *E and clipping to such a colour, which is closest when one or more attributes are kept constant (i.e. lightness, chroma, saturation or hue angle). Two compression algorithms were also investigated: compression along lines of constant lightness and hue angle and compression along lines of constant saturation. In addition to looking at linear compression along a given line, piecewise linear compression, which varied the slope of two segments joined at the point having the value of the reproduction range was also investigated (Figure 1). These piecewise linear functions were labelled with a l value which represented the normalised distance of the connection point from the linear compression function.

A psychophysical experiment looking at the preference of gamut mapped images was conducted to test a number of algorithms. To this end, three images were used and gamuts of different sizes were simulated on screen. The results suggested that clipping is preferred to compression and that lightness and hue angle are more important than chroma and saturation.

However, it needs to be seen how well the results of an experiment which uses synthetic gamuts and simulates a reproduction medium on the original medium correlate with the performance of GMAs on real reproduction media. Further it needs to be noted that the compression of lightness is not addressed in this paper and different methods for this could also have an effect on the results of the discussed mappings. Nonetheless, the range of chroma and saturation compressions suggested here is a very good one and well worth investigating in future.


 

Figure 1 Piecewise linear compression functions.



Last updated: 17 August 1999 by Jan Morovic